12.Gurukul II

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The gurukul itself was a marvel of ancient architecture, blending seamlessly with the surrounding wilderness. The main hall, where teachings were imparted, stood tall with its sturdy wooden pillars, carved with intricate designs depicting various legends of valor and righteousness.

 Around the main hall were the living quarters, simple and austere, meant to instill in the students a sense of discipline and detachment from worldly comforts.

These dwellings were made of wood and straw, providing shelter to the princes and their fellow students as they embarked on their rigorous daily routines, starting before dawn with prayers and physical conditioning, followed by lessons in archery, swordsmanship, and the handling of various other weapons.

A sprawling, open field surrounded by towering trees, their leaves whispering secrets from ages past. The morning mist still clung to the ground, giving the landscape a dreamlike quality.

In the heart of this serene setting, Guru Adithya son of Acharya Venkat, who was also a master of the martial arts, stood with an air of quiet strength. His gaze was piercing yet compassionate.

Before him, two young students, Devashree and Pratap, stood ready, each holding a wooden practice sword.

They were a study in contrast - Pratap exuded restless, innocent energy, and his sister possessed a calm focus.

"Swordsmanship is not merely about strength or speed. It is about understanding the rhythm of your heart and syncing it with the flow of the world around you." Guru Adithya, firmly, with underlying warmth, said to them.

Guru Adithya stepped forward, his own wooden sword in hand, its surface worn from years of use but held with reverence.

He continued, "First, we focus on stance. A strong foundation is crucial. You must be like the earth - solid, yet aware of the life that thrives upon it."

He demonstrated a basic stance - feet shoulder-width apart, one foot slightly forward, body aligned but ready to move.

Both his shishyas mimicked him, adjusting their positions as he walked around them, offering gentle corrections.

" Good. Now, the grip. Hold your sword not as a tool, but as an extension of your soul. It should feel natural, an extension of your will."

As the students adjusted their grips, Guru Adithya moved on to demonstrate a series of basic sword movements - a block, a strike, and a parry.

His movements were fluid, a dance between him and the unseen opponent.

"Notice the balance between movement and stillness. Your actions should be deliberate, and your mind clear. Anticipate, but never fear."

Pratap attacked first, his movements eager but unrefined.

Guru Adithya blocked his effortlessly, guiding Pratap's sword away with a fluid motion.

Devashree followed, her strikes more measured, seeking to find the rhythm spoken of earlier. Her right hand stretched forward gripping the sword, brows scrunched in concentration.

Guru Adithya gestured to Pratap, "Your strength is your spirit, Pratap. But let it not run wild. Control is the key."

Turning to Devashree, "And you, possess a natural flow. Remember, though, that the sword also needs your direction, your decision."

The lesson progressed with the students engaging in a controlled spar under Guru Adithya 's watchful eye. The sound of wood clashing, the movement of feet on the earth, and the steady breathing of the shishyas fill the air.

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